2008

further Domestic Front performances in Canada / first Thomas Bey William Bailey CD "Strangelet" recorded (official release pending) / first full-length non-fiction book "Micro-Bionic: Radical Electronic Music and Sound Art in the 21st Century" completed, to be published on Creation Books in 2009 / work begun on 2nd non-fiction book "Unofficial Release: Homemade Music Culture, 1980s-Present", to be published 2009 / further writings on music and 21st century culture published via Rhizome.org, Perfect Sound Forever, A2 Cultural Weekly, His Voice and elsewhere

2007

‘Positive Lycanthropy’ sound installation featured in ‘Furious- The Angry Show’, Eyedrum Gallery Atlanta / ‘Voltaic Conversation’ multi-channel sound installation featured at Digital Art Weeks, Zurich, Switzerland / ‘Top 10’ sound piece featured in 2nd annual ‘Wit-u-perium’ mail art magazine, Uruguay / "Kiai 1-8" sound piece featured in Static magazine 'Alarm' issue, London / "Shinkoukyuu- A Deep Breath" featured on festival CD from Istanbul's 'CTRL-ALT-DEL' CD / "Separataion Anxiety" featured as part of "60 x 60" concert series (60 1-minute pieces played in succession live) / Domestic Front CD "Having Achieved Balance..." included as part of the traveling sound archive at Ersta Konsthall, Stockholm / progress continues on "Micro Bionic" book on radical 21st century sound art / further contributions to His Voice magazine / "Process Color"DVD of flicker videos prepared for exhibition at Pixel Gallery, Toronto / short film "Study for Test Tone and Retina Burn" featured at Puntos y Rayas film festival, Barcelona, Spain

2006

contributing writer on sound art and subculture for His Voice magazine (Prague) / Translator, Verschwende Deine Jugend [‘Throw Away Your Youth’]- oral history of German
independent music of the 1970s-1980s (publication pending) / Numerous CD releases as The Domestic Front, incl. ‘Constrictor’ (album of sounds resulting from asthmatic breathing) and ‘Datenschutz’ (3” CD composed from digital ‘raw data’ files) / Tokyo recording sessions with Bien Victor / collaborative tracks recorded for Ishigami Kazuya split

2005

further Japanese Domestic Front performances / teaching of artistic fundamentals to Tokyo-area autistic children ('day job' obligations severely outweigh artistic commitments this year...)

2004

contribution to Sound Canopy outdoor sound exhibit, Chicago / co-production of Blind Spot experimental radio program, Chicago / first U.S. performances as The Domestic Front / curator of 'Meishi Music' project utiiizing CD name cards- featuring contributions by Maja Ratkje, Francisco Lopez and others

2003

relocation to Brno and Prague, Czech Republic / further writing for The Wire and various web journals / co-organization of 2nd Annual Women's Avant Garde Festival in Prague / first Domestic Front track on vinyl released as part of Resonance FM's "Flatpack Antennae" fundraiser LP / live performances in Czech Republic, Austria and Sweden / participation in "Parasomnia" sleep disturbance exhibit in Stockholm with Leif Elggren, Anna Linder, and Paul Dickinson / collaborative performances with Birds Build Nests Underground, Schloss Tegal and others

2001/ 2002

relocation to Osaka / live collaborations with Empty Orchestra, Helicoid 0.222 MB, Daimyo Gouretsu, Ishigami Kazuya, and others / first CD-r releases of the Domestic Front / various sound art + music-related articles published in The Wire and other independent outlets / participation in 'Voice Of The Stones' and 'Noise Workshop' events at Zenkouji Temple Belsona Strategic Schallplatten founded / Japanese translation work for independent U.S. musicians

2000

graduation from Columbia College Chicago (cum laude) / relocation to Okayama City, Japan / numerous writings on underground and 'leftfield' music / first live performances as The Domestic Front in Osaka